The Instructors Exhibition 2017

For the last several decades, the Instructors Exhibition has opened the fall season in the Phyllis Harriman Mason Gallery at the Art Students League. In an atelier-based school, like the League, an instructor’s work of art can serve as a kind of shorthand for the unique curriculum that he or she brings to the studio. This year we welcome ten artists into the regular season corps of instructors: Sigmund Abeles, who will be teaching Mastery & Empathic Figure Drawing; Garin Baker, who will be teaching Direct Figure & Portrait Painting; Peter Bonner, who will be teaching Abstraction: Inspiration & Development of IdeasBil Donovan, who will be teaching Dynamic Fashion Drawing; Emily Hubley, who will be teaching Two-Dimensional Animation; Simon Levenson, who will be teaching Oil Painting from Life—Understanding Painting; Fran O’Neill, who will be teaching Painting, Color, Design; Kamilla Talbot, who will be teaching En Plein Air Watercolor Painting on Governors Island; Jason Yarmosky, who will be teaching Elements of Drawing, Anatomy for Artists; and Weiqing Yuan, who will be teaching Exploring Watercolors.

The Instructors Exhibition 2017
September 8–28, 2017
Closing reception: September 28, 5:30 – 7:30 pm
Phyllis Harriman Mason Gallery
The Art Students League of New York

Gallery Hours
Monday–Friday, 9:00 am–8:30 pm
Saturday, 9:00 am–3:00 pm
Closed Sundays

Kamilla Talbot, Yellow Deep, 2016,
oil on linen, 34 x 26 in.

Paul Oestreicher, The Old King, 1988, bronze, 27 x 24 x 21 in.

Wendy Shalen, Pigeon, watercolor on paper, 18 x 24 in.

Knox Martin, Woman Seated, 2017, acrylic on tyvek mounted on Masonite, 45 x 50 in. ©Knox Martin/Licensed by VAGA, New York, NY 

Anthony Antonios, Solitude, bronze, 23 in., including base.

Mariano Del Rosario, Untitled, 2017,
neon, rotor, concrete, tar, and paint on honeycomb aluminum panel, 26 x 26 in.

James Little, Apache, 2016–17, oil on stained linen, 23 x 29 in.

Marshall Jones, Endangered Species/Hostile Planet, oil on linen, 46 x 58 in.

Costa Vavagiakis, Connie IV, graphite on paper, 26 x 20 in.

Ephraim Rubenstein, New River Afternoon; Galax, Virginia, 2016,
oil on linen, 20 x 27 in.

Simon Levenson, Read, oil on canvas, 38 x 38 in.

Henry Finkelstein, Hills Above Bragoux, 2015,
oil on canvas, 48 x 50 in.

Sharon Sprung, Women as Warrior, oil on panel, 30 x 32 in.

Sylvie Covey, Wyoming 1, 2010, lithograph on rice paper,
mounted on aluminum with wax, 30 x 40 in.

Mary Beth McKenzie, Renee (easel), oil, 52 x 40 in.

Bruce Dorfman, NIKKOU, 2017,
assemblage painting, 55 x 31 x 3 in.

Yasumitsu Morito, Untitled, 2017, glazed ceramic, 16 x 36 x 10 in.

Karen O'Neil, Coffee Pot & Orange, 2017, oil, 20 x 20 in.

Robert Cenedella, Pence on Earth, 2017,
oil on primed linen, 50 x 36 in.

Bill Behnken, The Embrace of Winter, 2017, lithograph, 12 x 13 in.

Joseph Peller, Twilight Fog, East River, 2017, oil on linen, 30 x 50 in.
Courtesy ACA Galleries New York NY

Naomi Campbell, When sound is perceived as figure and portrayed as 3D movement,
2017, watercolor, ink, work on paper, 19 x 48 in. (framed).

Peter Reginato, PIPS, 2017,
enamel and photograph on canvas, 24 x 24 in.

Timothy J. Clark, Guitarristas, Andalusian Nocturne, 2016, watercolor, 19 x 27 in.

Ronnie Landfield, Afternoon Mystery, 2017,
acrylic, 46 x 39 in.

Ellen Eagle, Self-Portrait 2016, 2016,
pastel on pumice board, 9 x 7 1/8 in.

Leonid Gervits, Day at Coopers Beach, Southampton, 2013,
acrylic on canvas, 48 x 48 in.

John Varriano, Ira in Studio, 2016, oil on canvas, 42 x 36 in.

Doug Safranek, Gathered by Hand, 2017, egg tempera on panel, 22 x 25¾ in.

James Garvey, Stabby, 2017,
forged steel, 54 x 12 x 14 in.

Dean Hartung, Brinckman Farm, oil on panel, 14½ x 22 in.

Michael Pellettieri, Broadway,
lithograph, 17⅛ x 11½ in.

Jerry Weiss, McKenzie, 2016,
oil on linen, 48 x 36 in.

Martha Bloom, Barlow's Hill, 2017,
hand-painted edited photo assemblage, 36 x 36 in.

Sherry Camhy, Father Time, 2015, graphite on black, 15 x 30 in.

Thomas Torak, Studio Interior with Nocturne, 2013,
oil on linen, 30 x 24 in.

Richard Barnet, What If, 2015, watercolor and ink on paper, 19 x 25 in.

Frederick Brosen, Piazza delle Cinque Scole, 2015,
watercolor over graphite on paper, 30 x 26 in.

Dan Gheno, Ragnarok Begins 1: Death of the Demos,
diptych, oil, 2016-17, 50 x 36 in.

Sigmund Abeles, Aaron Will Have to Do the Talking, 2015,
oil on panel, 48 x 28 in.

Deborah Winiarski, Dover Beach,
fabric, graphite, encaustic, oil on panel, 31 x 36 x 4 in.

Michael Burban, Saint John's River, North Florida, June 28, 2017,
oil on canvas, 18 x 24 in.

Susan Cirigliano, Yin Yang, 2017,
ink and watercolor drawing, 25 x 25 in.

Marilyn J. Friedman, Sacrifice, 2014,
fired clay, 18 x 22 x 36 in.

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The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017
The Instructors Exhibition 2017

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