Sherry Camhy explores historical and contemporary concepts of pastel drawing and painting in “Pastel Pointers, Past and Present,” an article in the Summer 2014 issue of Drawing magazine.
In “A Matter of Style,” Jerry Weiss writes about how Mary Cassatt painted an ungainly subject as a retort to Edgar Degas.
Frieze New York has distinguished itself from most art fairs by offering an opportunity to see a global cross section of contemporary art by living artists.
Made in New York/Made in Seoul is an exhibition of prints by sixty artists working in New York and Seoul, Korea.
“The most interesting artists have always made work that embodies shifts, even radical jumps, breaking through earlier stylistic habits” writes Sarah Sutro in “Magnifying Stillness: Locating Meaning in the Work of Ephraim Rubenstein,” which appears in the Spring 2014 issue of American Arts Quarterly.
Jerry Weiss will be teaching two workshops in New Hampshire this August.
On view at Transformation, a summer-long event on Governors Island organized by the Sculptors Guild, are two bronzes by Richard Barnet.
Richard Barnet’s work will be included in Art from the Boros II at Denise Bibro Fine Art, Inc. from June 19 to August 9, 2014.
Exceptional student work for the week of May 12, 2014.
I was immediately drawn to monotypes because they are very close to painting. Monotypes have a quality all their own, a freshness and spontaneity.