I suppose I’m not concerned about any one set of questions, but rather concerned about what a painting is capable of doing without written descriptions. What is the vernacular of the picture-making, and how do I express things through that? Some of the best moments are when a painting can describe back to me the feeling of my work just by looking.
I try to work every day, often doing three or four pen and ink drawings before getting out of bed or before going to sleep. I eat and then stagger into the studio and work and nap and make calls and do chores and then get back to work with the improvements I have been mulling as I did the other chores.
“One of my most important goals as an instructor is to help students clarify what they are looking for in their own work. It is within this constant clarification that a student may begin to develop a distinct and unique visual voice.”
“Learning to get comfortable with not knowing is one of the last stages of an artist’s development. That’s how you start to develop the habit of questioning and seeking, which can propel and sustain you outside the classroom.”
I’m lucky in the sense that I am able to portray my feelings with a brush rather easily. I don’t know whether I can attribute this to slow accumulation over a lifetime—looking at so many paintings, the careful observation of everything.