LINEA

The Instructors Exhibition 2016

by Stephanie Cassidy | August 18, 2016

For the last several decades, the Instructors Exhibition has opened the fall season in the Phyllis Harriman Mason Gallery at the Art Students League. In an atelier-based school, like the League, an instructor’s work of art can serve as a kind of shorthand for the unique curriculum that he or she brings to the studio. This year we welcome five artists into the regular season corps of instructors: Lisa Dinhofer, who is teaching “The Art of Color in Theory and Practice”[1]; Michael Burban, who is returning to teach “Life Drawing, Painting, and Design”[2] and to lecture on “Anatomy for Artists”[3]; Marshall Jones, who is teaching “Painting the Figure from Life”[4]; James Little, who is teaching “Non-objective Painting, Color, and Design”[5]; and Alex Zwarenstein, who is teaching “Drawing Fundamentals.”[6]


The Instructors Exhibition 2016
September 6–23, 2016
Opening Reception: September 13, 5:30–7:30 p.m.
Phyllis Harriman Mason Gallery
The Art Students League of New York

Mary Beth McKenzie, Ivy (blue shirt). Oil, 64 x 48 in.

Joseph Peller, East River Nocturne, 2004. Oil on panel, 24 x 32 in.

Lisa Dinhofer, Light Traveller’s #1, 2007.
Oil on wood panel, D: 44 in.

Bruce Dorfman, Urbino, 2002.
Canvas, metal, paper, acrylic, 43 x 43 x 3 in.

Richard Pantell, Downtown Storefront, 2006.
Etching, 8 x 6 in.

Ronnie Landfield, To the East, 2015. Acrylic on canvas, 40 x 40 in.

Martha Bloom, Song of Longing, 2016.
Hand-painted collage transfer, 20 x 18 x 1/2.

Gregg Kreutz, At the Easel. Oil on canvas, 26 x 22 in.

Pat Lipsky, Close Up (Delft), 2007.
Oil on linen, 48 × 31¾ in.

Bill Behnken, Pearls and Black Lace/Winter Dusk, 2016. Aquatint, 15 x 17.

Henry Finkelstein, Untitled. Oil on canvas, 53 x 46 in.

Frank O'Cain, Celebration, 2016. Oil on canvas, 50 x 50 in.

Mariano Del Rosario, Myth of Sisyphus, 2016.
Mixed media on canvas, 48 x 48 in.

Costa Vavagiakis, Stephanie III, 2000–16.
Oil on panel, 13 x 13 in.

Marilyn J. Friedman, Terra Cotta Figure I.
Terra cotta with burnished pigment, 42 x 6 x 7 in.

Dan Gheno, Super Villain Series: Feigning Retreat from the Battlefield,
Leaving Death and Chaos in His Wake
, 2016.
Oil on canvas, 40 x 30 in.

Paul Ching-Bor, Abraum-Schacht XII-I, 2015.
Watercolor on Arches paper, 120 x 103 inches in two panels.

Steven Assael, George, 2016.
Graphite on paper, 14 x 12 in.

Kenneth McIndoe, Rail Viaduct, 2016. Oil on canvas, 24 x 36 in.

Michael Pellettieri, Labyrinth, 2015. Lithograph, 15¾ x 23¾ in.

Sharon Sprung, Refugee. Oil on panel, 42 x 42 in.

Sylvie Covey, Nude with Trees 21, 2005.
Photo lithograph, 30 x 24 in.

Dionisio Cimarelli, Child N.3, 2008.
Porcelain, H: 23.6 in.

Deborah Winiarski, Fluire, 2016.
Fabric, encaustic, oil, graphite, metal on panel, 48 x 54 x 6 in.

Larry Poons, Emblem, 2015.
Acrylic on canvas, 55 1/2 x 18 5/8 in.

Thomas Torak, Twilight, 2012. Oil on panel, 16 x 16 in.

Anthony Antonios, Old Dick Bates.
Bronze, lifesize.

Jerry Weiss, Seated Figure, 2015.
Oil on linen, 48 x 36 in.

Ephraim Rubenstein, White Roses.
Pastel on sanded board, 28 x 25 in.

Sherry Camhy,Torso, work in progress.
Graphite, 40 x 30 in.

James Garvey, Matriarch, 2016.
Forged steel "plinth," "yoke," and "cape" with forged bronze stems,
H: 14 x W: 20 x D: 24 in.

Wendy Shalen, Yesenia, 2011.
Black and white charcoal and sanguine conte, 20 x 16 in.

Knox Martin, Olivia, 2016.
Acrylic on tyvek mounted on Masonite, 45 x 50 in.
©Knox Martin/Licensed by VAGA, New York, NY

Leonid Gervits, Portrait of Alexis Marino, 2016.
Oil on canvas, 40 x 30 in.

Dean Hartung, Picking Apples. Oil on canvas, 36 x 48 in.

Peter Reginato, Trip to Tahiti, 2016. Enamel on canvas, 40 x 40 in.

Douglas Safranek, Cruciferae, 2016. Egg tempera on panel, 16½ X 18½ in.

Karen O'Neil, April Blue/Green, 2014. Oil on linen, 24 x 24 in.

Richard Barnet, Wall with 7 Towers, 2013. Bronze, H: 21 x W: 27 x D: 9 in.

Timothy J. Clark, Painting in the Alps, 2011–15.
Watercolor on paper, 20½ x 25½ in.

Susan Cirigliano, One Love, 2016.
Derwalt Intense pencils & Ink drawing, 24 x 30 in.

Michael Burban, From Velázquez, 2016. Acrylic on canvas, 30 x 40 in.

Nicki Orbach, Untitled, 2016. Oil on canvas, 8 x 24 in.

Jack Faragasso, The Artist's Studio, 1994. Oil on canvas, 22 x 30 in.

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Endnotes:
  1. “The Art of Color in Theory and Practice”: http://www.theartstudentsleague.org/class/art-color-theory-practice/
  2. “Life Drawing, Painting, and Design”: http://www.theartstudentsleague.org/class/drawing-painting-composition/
  3. “Anatomy for Artists”: http://www.theartstudentsleague.org/event/michael-burban-anatomy-artists-lectures-forms-head/
  4. “Painting the Figure from Life”: http://www.theartstudentsleague.org/class/painting-life-6/
  5. “Non-objective Painting, Color, and Design”: http://www.theartstudentsleague.org/class/non-objective-painting-color-design/
  6. “Drawing Fundamentals.”: http://www.theartstudentsleague.org/class/drawing-fundamentals/