Pat Lipsky’s review of the Morgan Library & Museum’s current exhibition of Rembrandt’s Judas Returning the Thirty Pieces of Silver
The Merit Scholarship Exhibition is on now in the Phyllis Harriman Mason Gallery through July 7, 2016.
The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920, an exhibition of “vital naturalism,” now on view at the Florence Griswold Museum
A gallery of work by this year’s thirteen grant winners
Sherry Camhy’s portrait Willis Pyle at 101 was exhibited as part of celebration of his life held at the Illustrators Club on June 8, 2016.
On now through June 18, 2016 is the Art Student League’s annual Red Dot Exhibition.
Just what is it about Nicole Eisenman’s work that opened the doors of the Whitney and the New Museum? Why is her work “culturally significant” and the work of generations of figurative painters not?
I continually work towards finding balance between my studio practice and continuing my studies and development at the League and other venues.
A review for Naomi Campbell’s solo exhibition for the online magazine Artefuse
Making It is a three-person exhibition that features work by Richard Barnet, Jo-Ann M. Acey, and Fred Bendheim.
Most artists dread the thought that their life’s production will be annihilated.
Sherrie McGraw received a Silver Medal for her still life Aspen Leaves.












