“Yasuo Kuniyoshi was always very concerned about layers of everything consistent with layers of meaning between the ostensible subject matter of the painting and what might be the actual content.”
Richard Barnet’s Seated Figure is now on view at Greenhut Galleries.
On now in the Phyllis Harriman Mason Gallery through August 21 is the Technical Instructors Exhibition 2015.
What is the aesthetic of the ordinary? The desire to capture something small, fleeting, or overlooked, that reveals something larger, intangible and significant.
Deborah Winiarski’s latest post for ProWax Journal explores pattern in art.
A recent portrait commission, solo exhibition, and two publications from Timothy J. Clark.
A masterpiece hinges on the artist’s pure interaction with the subject.
Jerry Weiss writes about Paul Gauguin and John Singer Sargent in the September issue of The Artist’s Magazine.
Richard Barnet is one of sixteen artists exhibiting in William Holman Gallery’s Summer Group Show.
This seventeenth-century woman seems so completely connected with her surroundings and the present moment that a very ordinary scene begins to be elevated to a whole new level.
Bill Behnken’s Night Passage, Noble & Serene is featured on the front page of the July 2015 issue of the Journal of the Print World.
Naomi Campbell is one of forty artists exhibiting in Art from the Boros III at Denise Bibro Fine Art.