Exceptional student work for the week of April 12–18, 2015.
Jerry Weiss writes about Antonio Allegri da Correggio’s Jupiter and Io for the June 2015 issue of The Artist’s Magazine.
The ability to remove the cerebral assumptions of what you think you know and just respond honestly can be key to developing authentic work.
“These are breathing, organic works, dressed in the clothing of geometric abstraction,” writes art critic Cate McQuaid of Pat Lipsky’s current solo show.
Voyeurs in Virgin Territory, a show of nineteenth-century landscape painting on view at Questroyal Fine Art, is a beauty.
Sherry Camhy’s Moses is included in Women of the Book, Jewish Women Recording, Reflecting, Revisiting.
In March, Naomi Campbell participated in the PS11 Paddle8 Auction to benefit the William T Harris School in the heart of Chelsea.
John A. Parks has published Universal Principles of Art: 100 Key Concepts for Understanding, Analyzing, and Practicing Art, an elegantly-designed compendium of “one hundred principles, fundamental ideas and approaches to making art.”
Charles Hinman: Space Windows from 2008 includes canvases described by Michael Findlay as “highly spirited, very poetic and refreshingly direct.”
With glass, I am able to incorporate light and color into the work, giving my sculptures another dimension—one that feels a bit more alive.
In New York: New Paintings by John A. Parks opens at 532 Gallery Thomas Jaeckel on March 27, 2015.
Dan Gheno’s new book, available in May, is a 176-page compilation of ten of articles he wrote for Drawing Magazine.