WhatWePrintWhenWePrintAboutLove brings together the work of six artists with diverse approaches to printmaking and love.
Jerry Weiss on Frederic Edwin Church’s Twilight in the Wilderness, what one art historian considers among the greatest paintings in American art.
The Metropolitan Museum’s Madame Cezanne and its accompanying catalogue go a long way toward rewriting a well-worn narrative of conjugal disfunction.
“How Beauty Through Art Shaped the World” is a lecture that Gary Sussman delivered this past September for the Dr. J. R. Anderson Lectureship 2014.
The cityscape painter needs a thicker skin than other kinds of painters.
Peter Reginato is among twenty artists exhibiting work in the 40th Anniversary Exhibition, 1974–2014 at Andre Zarre Gallery.
Wreath Interpretations is the 32nd annual exhibition of unconventional wreaths, with contributions from fifty-six fine artists and designers.
I approach Andrew Wyeth’s work circumspectly, in order to tease apart and separate the art from the commodity.
Thomas Torak is now represented by Helmholz Fine Art in Manchester Center, VT.
The Quickening Image: The Wax-Resist Drawings of David Dodge Lewis and Ephraim Rubenstein/A Twenty Year Collaboration is an exhibition that embodies several stories.
There are a couple of exhibitions of nineteenth-century landscape painting now on view at the Morgan Library & Museum.
“The Human Presence” is Ephraim Rubenstein’s article on Art Students League student and monitor Robin Smith that will appear in the January/February issue of The Artist’s Magazine.