Executive Director Ira Goldberg interviews Frank O’Cain, abstract painter.
Bill Behnken exhibited Manhattan Chiaroscuro in the 100th Annual Allied Artists Exhibition at the National Arts Club, November 8–17, 2013.
How to understand flesh is the most absorbing and complex endeavor I know.
These houses are powerful statements about the human condition, as well as meditations on the passage of time and the struggle to remain whole.
I don’t deny narrative exactly, but I prefer it to emerge organically from the paint rather than by conscious choice.
A list of 100 tips gleaned from a career training artists.
Naomi Campbell will be exhibiting with Yellow Peril Gallery (Providence, RI) at Scope, Miami Beach 2013, December 3–8.
Silverpoint is an old technique that involves drawing with sterling silver, gold, copper, and other precious metals on specially prepared surfaces. Long before graphite was discovered, Leonardo da Vinci, Michelangelo, and Albrecht Dürer used it…
Thomas Torak’s Painting the Feast received the Marquis Who’s Who in American Art References Award at Audubon Artists’ 71st Annual Exhibition, which you can see on their site, through December 31.
Read about a student’s moment of illumination in Pat Lipsky’s drawing class provoked by the question, Is it convincing?
Drawing from life is an accumulation of subtle events made evident on a page. Unlike photography, drawing is not instantaneous but a multitude of sequential responses over time…
Max Ginsburg’s Pat—Bearded and Shirtless will be part of the 100th annual exhibition of Allied Artists of America. The show opens November 8, 2013 at the National Arts Club (15 Gramercy Park South) and continues through November 17.