Peter Reginato’s  New York Report (above) and Wildflower (below) are among a group of works collected by the artist Neil Jenney that are exhibited in Works of the Jenney Archive at Gagosian Gallery (980 Madison Ave. NYC). From March 7 to April 27, 2013.
Curator Amalia Piccinini, a former league student, presents a selection of dark paintings by instructors Ronnie Landfield (above), Charles Hinman, and Peter Reginato (below), as well as her own work, in Going Into the Dark, The Painting Center (547 West 27th St. NYC), February 26–March 23, 2013.
My New York City studio (below) is located on the tenth floor of the National Arts Club. The view is unobstructed and the quality of north light is rich and clinical. The space measures 20 x 30 feet with an eighteen-foot ceiling. The window starts about five feet off the floor. I have a set…
  The Price of Freedom is a twelve-foot, 1,800 pound bronze created by Greg Wyatt that was completed and installed at Arlington National Cemetery’s Visitors Center in 2010. The monument has been recently moved to an exterior portico while the center is upgraded. It’s been chosen “Photo of the Week” on the cemetery’s website.
Sherry Camhy’s silverpoint Innocence, currently on view in the ASL window, appears in Thea Burns’s The Luminous Trace, Drawing and Writing in Metalpoint. “In her carefully rendered full-length portraits,” writes Burns, “Camhy has explored the soft, atmospheric, essentially painterly gradations of tone that metalpoint can produce even in large-scale images.”

Six Questions for James Garvey

I believe my contribution is in the realm of innovative design and idiosyncratic skill. I understand how to be effective in process; I understand the impression that is on its way and how to avert potential compromise.

Richard Barnet

Richard Barnet’s Ellie’s Boat appears in Sideshow Nation, Sideshow Gallery (319 Bedford Ave, Brooklyn, NY), January 5–March 24, 2013.