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Studio Project naomi campbell

Artists Tools

The Studio Project | Naomi Campbell

Apr 25, 2013, 6:00 AM

Half the time my studio looks like a science lab. I like to call it my work in progress. Located in a quiet neighborhood in Brooklyn surrounded by trees, it’s is not far from the Brooklyn Museum. This area has been home to my work for about ten years. Its constant metamorphosis from one project…

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studio project Leonid Lerman

Artists Tools

The Studio Project | Leonid Lerman

Apr 3, 2013, 10:00 AM

For the past twenty-two years, my studio has been in Williamsburg, Brooklyn. The best part was the view of the Manhattan skyline, which is now obscured by an apartment building.

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studio project mariano del rosario

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The Studio Project | Mariano Del Rosario

Mar 27, 2013, 6:00 AM

My studio for the past ten years has been located in Building 30, part of the Brooklyn Navy Yard Industrial Park, in Fort Greene, Brooklyn. The building was constructed for horse carriages during the antebellum era. After decades of neglect, it was renovated (around 2000) and commercially leased to artists only. But the vestiges of…

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The Studio Project | Costa Vavagiakis

Artists Tools

The Studio Project | Costa Vavagiakis

Mar 11, 2013, 6:00 AM

Over the past thirty-five years, I have had five studios in New Jersey, Brooklyn, and Queens. For the past seven years, I’ve maintained a studio in Sunset Park, Brooklyn. I draw from life—from direct observation and from experience. I do countless drawings and oil sketches as I set out the concept for a painting. I…

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The Studio Project | Sharon Sprung

Artists Tools

The Studio Project | Sharon Sprung

Mar 4, 2013, 6:00 AM

I’ve been living and working in my studio on Atlantic Avenue in Brooklyn since 1980.

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LINEA is the online journal of the Art Students League of New York, an open community of art practitioners at all skill levels. LINEA offers a slice of the knowledge and esprit de corps of the League’s legendary studios with artists interviews, posts on artists’ tools, and inspirational advice.

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