The creative process is a religious act; you have to be true to it. Show up every day at the same spot in your studio/place of work, and your creativity will show up whether you expect it to or not.
Social media is great for getting your work seen by many people, but it’s a double-edged sword. The presence of galleries is shrinking, and there’s still nothing like standing in front of a work in person, to see the paint and the way the artist handles the brush or the chalk.
What’s on view in the Art Students League’s Phyllis Harriman Mason Gallery this week? Notable work by students in the classes of Sherry Camhy and Thomas Torak.
What’s on view in the Art Students League’s Phyllis Harriman Mason Gallery this week? Notable work by students in the classes of Garin Baker, Karen O’Neil, and Edmond Rochat.
Just what is it about Nicole Eisenman’s work that opened the doors of the Whitney and the New Museum? Why is her work “culturally significant” and the work of generations of figurative painters not?
WhatWePrintWhenWePrintAboutLove brings together the work of six artists with diverse approaches to printmaking and love.
In the June 2013 issue of Artist’s Magazine, Maureen Bloomfield explores the art of Max Ginsburg.