Voyeurs in Virgin Territory, a show of nineteenth-century landscape painting on view at Questroyal Fine Art, is a beauty.
Welliver’s palette, devoid of earth tones, was chosen to suggest the presence of air and to create an image that would parallel, rather than replicate, the luminosity of nature.
There is no question that plein air painting is a class of painting unto itself, and we understood early on that it can be more akin to an extreme sport than a creative activity.
Jerry Weiss on Frederic Edwin Church’s Twilight in the Wilderness, what one art historian considers among the greatest paintings in American art.
There are a couple of exhibitions of nineteenth-century landscape painting now on view at the Morgan Library & Museum.
“How does one paint autumn?” asks Jerry N. Weiss in “Autumn’s Lament & License,” forthcoming in the November 2014 issue of the Artist’s Magazine.
Ephraim Rubenstein will be exhibiting paintings in two solo exhibitions. The first opens at the George Billis Gallery, in Chelsea, NYC; the second opens at the Stone Tower Gallery, in Glen Echo, MD.
Jerry Weiss will be teaching two workshops in New Hampshire this August.