Joseph Peller’s recent travels through China, Japan, and Italy have yielded some great new work.
My ideal studio would definitely be much larger than what I have now. Simple, minimalist, green design. Great natural light. Big sink. Big work table. Big wall. Whitewashed. A place where paint can be spilled, nothing fussy.
In an atelier-based school, like the Art Students League, an instructor’s work of art can serve as a kind of shorthand for the unique curriculum that he or she brings to the studio.
Karen O’Neil’s Bearsville Stream purchased.
The building is old and charming, and by the time I climb the four flights of stairs, I feel that I have entered a calmer environment. No matter what is going on in my life, I always walk into my studio space feeling relieved to be there.
Richard Pantell on his five favorite paintings in the Metropolitan Museum of Art … this week.
A gallery of work by this year’s thirteen grant winners
Notable works from the classes of James McIlhinney, Rhoda Sherbell, and Costa Vavagiakis
Many artist studios are located in urban or industrial locations and as a landscape painter; I find my jungle-like neighborhood to be very inspiring.
Do people still feel the need to own, to have present in one’s life, an artifact, a painting, made by somebody else?