The Met is an excellent venue for an intergenerational viewing experience because everyone, regardless of age, can find an object to look at in wonder within its vast collection.
A portrait commission, two group shows, and an article
A survey of Everett Raymond Kinstler’s paintings, 1952–2015, on view in Tennessee and Georgia this summer.
The Portsmouth exhibition harvests over seventy of Gertrude Fiske’s paintings from private and public collections. It is a modest venue for an ambitious agenda, namely the revival of an artist whose reputation has languished for the balance of the last century.
Mary Beth McKenzie’s retrospective opens July 13 at the Erie Art Museum.
Notable work from students in the classes of Henry Finkelstein, Barney Hodes, and Mary Beth McKenzie.
Four paintings from Richard Pantell’s bather series are on view in Species and Spirit: Contemporary Visions. This three-person exhibition, which opened November 4 at Green Kill (Kingston, NY), also includes paintings by Joanne Pagano Weber and sculptures by Janice Mauro.
Notable work from students in the classes of Terence Coyle, Peter Golfinopoulos & Donna Mitchell, Frank Porcu, Christopher Raccioppi & Paul Oestreicher, Jonathan Shahn, and Sharon Sprung
How many white women painters in the 1940s, no matter how bohemian, opted for Spanish Harlem over Greenwich Village?
The 1896 Sargent portrait Henry James described as “a picture of knock-down insolence of talent and truth of characterization.”