Sherry Camhy explores historical and contemporary concepts of pastel drawing and painting in “Pastel Pointers, Past and Present,” an article in the Summer 2014 issue of Drawing magazine.
In “Drawing a Portrait on Toned Paper,” Costa Vavagiakis explains his process of drawing a bust using graphite and white chalk on toned paper.
“Shafts of Sunlight” is a ten-page illustrated article by Jerry Weiss on Joaquín Sorolla’s paintings, which appears in the March 2014 issue of The Artist’s Magazine.
In the February 2014 issue of Drawing magazine, Jerry Weiss has a review of The Silverpoint Exhibition, a group show curated by Sherry Camhy, which included Wendy Shalen’s Washed Ashore.
Jay Lindsay: Travel Sketchbooks is a self-published collection of sketches, writings, ceramics, and sculpture.
Deborah Winiarski’s Wisteria Morning is included in the Winter 2013 issue of Studio Visit Magazine, which publishes a juried selection of international visual artists.
Sherry Camhy’s silverpoint drawing Aunt Helen’s Doll is included in the newly published Strokes of Genius 5—The Best of Drawing: Design and Composition.
Read about the concept and development of Max Ginsburg’s multi-figure painting Unemployed on Line in the October 2013 issue of the Artist’s Magazine.
Sherry Camhy’s silverpoint Innocence, currently on view in the ASL window, appears in Thea Burns’s The Luminous Trace, Drawing and Writing in Metalpoint. “In her carefully rendered full-length portraits,” writes Burns, “Camhy has explored the soft, atmospheric, essentially painterly gradations of tone that metalpoint can produce even in large-scale images.”
Now available: Sylvie Covey’s book, Photoshop for Artists: A Complete Guide for Fine Artists, Photographers, and Printmakers, published by Random House. You can read a sample chapter here.