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Deborah Winiarski’s Latest in ProWax Journal

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In her latest curatorial article for ProWax Journal, “[1]Encaustic and the Photographic Image,”[2] Deborah Winiarski selected artists who have combined encaustic and photography, including “vintage photographs, digital images, remote capturing, or cyanotype.” Winiarski herself is one of twenty-three artists who describe their art-making before discovering encaustic, in Joanne Mattera’s  “Life Before Wax.”[3]

Deborah Winiarski prowax journal life before wax[4]
Jeri Eisenberg, Momiji No.14, 2014, archival ink on Kozo paper Infused with encaustic medium, triptych, 36 x 34 in.
Deborah Winiarski prowax journal life before wax[5]
Elena De La Ville, Torso/Trees, 2015, photography, wax, resin, 24 x 24 in.
Deborah Winiarski prowax journal life before wax[6]
Jill Skupin Burkholder, Fisher, Hidden Catskills, 2014, encaustic, charcoal and image from a trail camera on birch panel, 24 x 24 x 3 in.

 

Endnotes:
  1. “: https://prowaxjournal.com/2017/01/01/encaustic-and-the-photographic-image/
  2. Encaustic and the Photographic Image,”: https://prowaxjournal.com/2017/01/01/encaustic-and-the-photographic-image/
  3. “Life Before Wax.”: https://prowaxjournal.com/2017/01/01/life-before-wax/
  4. [Image]: https://asllinea.org/wp-content/uploads/2017/01/eisenberg_momiji-no14_3.jpg
  5. [Image]: https://asllinea.org/wp-content/uploads/2017/01/delaville_torso_trees-3.jpg
  6. [Image]: https://asllinea.org/wp-content/uploads/2017/01/burkholder_fisher_2.jpg