Writing in the current issue of Frieze, William Corwin credits curator Phong Bui in “transforming an unruly mob of more than 300 artists into a comprehensive slice of activity in early 21st-century New York” in last year’s exhibition Come Together: Surviving Sandy, Year 1.
“A bewildering but satisfying mix of tightly curved and woven-together thin steel rods” is how art critic and blogger Piri Halasz describes Peter Reginato’s sculptures.