My studio is in Hoosick Falls, New York, near Bennington, Vermont, and 189 miles from New York City. In 1982, I bought land from Jose de Creeft, after having lived with him as his apprentice, off and on, from 1971 to 1976. A stone carving under wraps
Work by Frederick Brosen appears in Waterways of Europe in Watercolor at Harmon-Meek Gallery (Naples, FL) from April 7 to 19, 2013.
Sherry Camhy received the Drawing Award at the Exhibiting Artists Members’ Exhibition held at the National Arts Club (15 Gramercy Park South, NYC). The exhibition continues through April 7, 2013.
For the past twenty-two years, my studio has been in Williamsburg, Brooklyn. The best part was the view of the Manhattan skyline, which is now obscured by an apartment building.
An Everett Raymond Kinstler retrospective opens on April 9 at the Century Association (7 West 43rd Street, NYC) and continues through May 5, 2013.
My studio loft is right on Times Square, on 44th Street and Broadway. I have been living and working there since 1978, living through the neighborhood’s changes and its rebuilding. There are seventeen windows altogether in my studio loft, which comprises the whole floor. Each tenant in my building has a whole floor. It is…
This is my studio room in my Upper West Side apartment, at 77th street & Broadway to be exact. Although I have worked here for only a little over a year, the UWS is where I grew up, and lived until I was in my early 20s. I am a creature of habit, and the…
Group show: Go Figure, Greenhut Galleries (146 Middle Street. Portland, ME), April 4–27, 2013.
My studio for the past ten years has been located in Building 30, part of the Brooklyn Navy Yard Industrial Park, in Fort Greene, Brooklyn. The building was constructed for horse carriages during the antebellum era. After decades of neglect, it was renovated (around 2000) and commercially leased to artists only. But the vestiges of…
A studio is a meeting place between heaven and earth. It is all good. My studio is located in Tribeca. I’ve been in this studio since 2009. I work usually from late morning on. The Studio of Bruce Dorfman
Much of Piero’s life and travels are matters of quiet conjecture. In a sense, he was what might be called today an independent or an artist’s artist. His identity and the character of his art were not centered on the artistic and political pressures of Florence, Siena, and Rome.
I live in Ellicott City, Maryland, a small mill town to the southwest of Baltimore. I have been working in this space for over fifteen years.












