Peter Reginato reflects on his fusion of Cubism, Abstract Expressionism, and Color Field painting and his philosophy of constant artistic reinvention in a new interview.

Closer to the Divine

Friedrich pretty much invented the landscape of solitude, an idea that reverberated across nineteenth-century studios and survives—or is resurrected—today in response to the continuous tension between the natural world and man’s desire to exploit its resources.

Abbey and Company

In surveying figuration in American art, the Yale exhibition expands its declared focus on public art in general or murals in particular.
My father’s portrait expresses that affection for Nicolaides, for the League, and for this period when they felt inspired and excited about their lives as young artists.

Georgia O’Keeffe’s New York

The artist has to have a place where he can behold the city as a unit before his eyes but at the same time have enough space left to work. 

Reaching for the Epic

What’s on display in Harvey Dinnerstein: Reflections is a sampling of an invaluable gift, the life’s work of one of the most important New York figurative artists of this era.