In this time of “great pause,” I am seeing a flourishing of creativity. People are responding to the pandemic in innovative ways. I am suddenly seeing all kinds of new models for cultural production.
Photographs and stories of the artists who carry on their legacy.
Artists from James Little’s class kept painting after New York shut down.
As artists, we get this incredible opportunity to bear witness to all that we see and experience in our lives, and to give thanks for being alive and able to experience it.
I continue to strive for a way to make my body of work more cohesive without sacrificing my ability to work in multiple media and techniques.
As I paint, the image is a living, mutable thing, and sometimes it reveals the answers to the questions it asks.
You have to show up—to the class, to the studio, to the openings, to life, because, at the time you may or may not know it, your artistic eye is keeping records of everything you see. You just can’t help but to absorb life, after it percolates and rises to the surface, you want brushes in your hand.
The Art Students League provided fertile ground for the Mexican remake of American art.
I look through my sketch books to uncover ideas and images that stimulated me but which I didn’t flesh out at the time. This recalls me to myself and my sensibilities which often jump-starts new work.
It’s easy to come up with the idea. The work comes in the actual execution of the idea and then doing it all over again, while at the same time striving to improve skills, so that every successive image is better than the last.
Notable work from students in the classes of Janet A. Cook, Christopher Gallego, Leonid Gervits, Oscar Garcia, and Marshall Jones.
Modernism, beauty, aesthetic experience: These concepts are very much alive with my students.