Kollwitz’s art was both a response to the suffering of others and a processing of personal experience. For Kollwitz, character born of hardship was indistinguishable from—lo, was the necessary source of—beauty.
As all portrait artists know, there is something solemnly ceremonious about the full-profile position. We do not make eye contact—that being somehow beneath the authority of the subject—just as the set mouth seems to be not just momentarily, but eternally, silent.

From Zero to Zoom

Zoom offers a different kind of learning experience, a natural fit for lectures, demonstrations, or art history. But what about for studio workshops? 
Artists from James Little’s class, “Non-Objective Painting, Color and Design,” forge ahead with their work over ZOOM.
Art in general isn’t nearly as fun or powerful in this age. You could say there’s a positive side to all the access we have to art, as well as the exposure, as artists, we can get outside of the traditional structures. But I wonder if it’s worth what we gave up. Too much art exposure can bore a person. You can also become impervious to the effects that art can have on us.
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