I feel this show of my paintings represents a personal revelation—and a kind of public exposure, too. It is risky to present work that has been developed privately and held close for so long.
A new acquisition to the Art Students League’s permanent collection.
As an artist I reserve the right to change everything when I choose to.
I do love someone with really good technical skills—someone who can draw the figure like nobody’s business always gets my attention, but then, of course, they need content to back that up.
It was just me, surrounded by so much amazing artwork night after night, just me, a flashlight and the collections of popes, kings, and pin-drop silence.
The rewards of Manet/Degas accrue not from revelation but from the juxtaposition of work by two friends and rivals, each cerebral, urbane, and dedicated to—obsessed with—painting life in Paris.
The Art Students League served as a key training ground in miniature painting, where students acquired skills particular to watercolor painting on ivory, as well as a solid grounding in figural representation, so evident in drawings in the school’s collection.
The women artists who led a twentieth-century revival in miniature painting
J.C. Leyendecker at the New-York Historical Society
I feel that contemporary art creatives today must address the social and environmental catastrophes that are happening every day in our world.
Bonnard at Acquavella Gallery
Georgia O’Keeffe at MoMA and Arthur Dove at Alexandre Gallery Uptown