Paintings by Jacobus Vrel and Joaquín Sorolla y Bastida are “special guests” at the Norton Museum of Art.
What’s on display in Harvey Dinnerstein: Reflections is a sampling of an invaluable gift, the life’s work of one of the most important New York figurative artists of this era.
There are 120 drawings, prints, and sculptures in MoMA’s Käthe Kollwitz exhibition, and every piece feels essential.
Neue Galerie New York offers a snapshot of one of the early twentieth century’s great landscape painters.
An new solo exhibition at First Street Gallery reveals how Michele Liebler leaned into introspection during the COVID lockdown to re-imagine kinship as the cradle of bonds and intimacy.
What’s the correlation between the private and public work of Paul Cadmus?
The alchemy that produced both shattered forms and those made whole in this exhibition happened on summer vacation, in a garage.
The selections in An Artist’s Eye: The Lukas Charles Collection don’t read as a manifesto for a particular ideology, but rather as something eclectic, a sampling of individual artists working within academic conventions.
The rewards of Manet/Degas accrue not from revelation but from the juxtaposition of work by two friends and rivals, each cerebral, urbane, and dedicated to—obsessed with—painting life in Paris.
J.C. Leyendecker at the New-York Historical Society